I animated the continuous camera move, based on Marc Cote and SidLee design. We then went to Vegas to document the various environments with pictures and dv camera moves. Back in Montreal, our team built the CG sets while I split the camera move in shootable parts and planned the shoot.

We had 3 days of green screen with our Milo Motion Control and then 3 more months to put it all together. Apart from supervising, I lit some of the sets, did the CG water and a lot of compositing.

A great project overall, which MGM still uses on it's web site 5 years later.